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Faking, Forging, Counterfeiting : Discredited Practices at the Margins of Mimesis /

Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Becker, Daniel (Editor ), Fischer, Annalisa (Editor ), Niehoff, Simone, Sannders, Florencia, Schmitz, Yola (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : Transcript-Verlag, [2018]
Colección:Edition Kulturwissenschaft ; 128
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Faking, Forging, Counterfeiting :  |b Discredited Practices at the Margins of Mimesis /  |c Yola Schmitz, Annalisa Fischer, Daniel Becker. 
264 1 |a Bielefeld :  |b Transcript-Verlag,  |c [2018] 
264 4 |c ©2018 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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347 |a text file 
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490 0 |a Edition Kulturwissenschaft ;  |v 128 
505 0 0 |t Frontmatter --  |t Table of Contents --  |t Preface /  |r Fischer, Annalisa --  |t Six Degrees of Separation /  |r Keazor, Henry --  |t Forgery: The Art of Deception /  |r Bach, Friedrich Teja --  |t The Artist and the Mountebank /  |r Hylkema, Jacqueline --  |t Aping the Master /  |r Mühlbacher, Manuel --  |t Fracture, Facture and the Collecting of Islamic Art /  |r Graves, Margaret S. --  |t Shape-shifters of Transculturation /  |r Öcal, Tina --  |t Fake Supreme /  |r Benesch, Klaus --  |t Reflections on Plagiarism in Jorge Luis Borgesʼs Works /  |r Sannders, Florencia --  |t "I have chosen to write notes on imaginary books" /  |r Kohlrausch, Laura --  |t Faked Translations /  |r Schmitz, Yola --  |t Creating a Cult, Faking Relics /  |r Fenelli, Laura --  |t Desiring Fakes /  |r Becker, Daniel --  |t Unmasking the Fake /  |r Niehoff, Simone --  |t Contributors --  |t Illustration Credits. 
520 |a Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation. 
546 |a In English. 
588 0 |a Online resource; title from PDF title page (publisher's Web site, viewed 25. Jul 2018). 
506 0 |a Open Access  |5 EbpS 
590 |a De Gruyter Online  |b De Gruyter Open Access eBooks 
650 0 |a Art  |x Forgeries  |v Congresses. 
650 0 |a Mimesis in art  |v Congresses. 
650 6 |a Art  |x Faux  |v Congrès. 
650 6 |a Mimêsis  |v Congrès. 
650 7 |a Social & cultural history.  |2 bicssc 
650 7 |a SOCIAL SCIENCE  |x Popular Culture.  |2 bisacsh 
650 7 |a Art  |x Forgeries  |2 fast 
650 7 |a Mimesis in art  |2 fast 
653 |a Aesthetic Practice. 
653 |a Art. 
653 |a Copy. 
653 |a Creativity. 
653 |a Cultural History. 
653 |a Cultural Studies. 
653 |a Cultural Transfer. 
653 |a Culture. 
653 |a Faked Tradition. 
653 |a General Literature Studies. 
653 |a Hoax. 
653 |a Identity Theft. 
653 |a Imitation. 
653 |a Imposter. 
653 |a Literature. 
653 |a Media Aesthetics. 
653 |a Original. 
653 |a Pseudotranslation. 
653 |a Theory of Art. 
653 |a Translation. 
655 7 |a Conference papers and proceedings  |2 fast 
700 1 |a Becker, Daniel,  |e editor. 
700 1 |a Fischer, Annalisa,  |e editor. 
700 1 |a Niehoff, Simone. 
700 1 |a Sannders, Florencia. 
700 1 |a Schmitz, Yola,  |e editor. 
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