Cargando…
Eric Rohmer's film theory (1948-1953) : from 'école Scherer' to 'politique des auteurs' /
In the 1950s, a group of critics writing for 'Cahiers du Cinéma' launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hun...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2018]
|
| Colección: | Film theory in media history.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | DEGRUYTEROA_on1041854170 | ||
| 003 | OCoLC | ||
| 005 | 20240209213017.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 180625s2018 ne ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d YDX |d JSTOR |d OCLCF |d ICN |d SOI |d MERER |d ERL |d INA |d EBLCP |d MERUC |d AU@ |d DEGRU |d SFB |d TEF |d NLAUP |d TEF |d P@U |d UAB |d LVT |d OAPEN |d UEJ |d DIPCC |d TEF |d OCLCO |d S2H |d OCLCO |d OCLCQ |d N$T |d OCLCQ |d SGP |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 019 | |a 1042322259 |a 1056932628 |a 1076774360 |a 1111612510 |a 1117905455 |a 1135549457 |a 1159386318 | ||
| 020 | |a 9789048537037 |q (electronic bk.) | ||
| 020 | |a 9048537037 |q (electronic bk.) | ||
| 020 | |z 9789462985803 | ||
| 020 | |z 9462985804 | ||
| 024 | 7 | |a 10.5117/9789462985803 |2 doi | |
| 024 | 8 | |a https://arno.uva.nl/cgi/arno/show.cgi?fid=657351 | |
| 029 | 1 | |a AU@ |b 000063563798 | |
| 029 | 1 | |a NLAUP |b oai:aup:650950 |c http://dare.uva.nl/cgi/arno/oai/aup narcis |t DGCNT | |
| 035 | |a (OCoLC)1041854170 |z (OCoLC)1042322259 |z (OCoLC)1056932628 |z (OCoLC)1076774360 |z (OCoLC)1111612510 |z (OCoLC)1117905455 |z (OCoLC)1135549457 |z (OCoLC)1159386318 | ||
| 037 | |a 22573/ctv2b6qdd |b JSTOR | ||
| 050 | 4 | |a PN1998.3.R64 |b G76 2018eb | |
| 072 | 7 | |a PER |x 009000 |2 bisacsh | |
| 072 | 7 | |a PER |x 004000 |2 bisacsh | |
| 072 | 7 | |a ART |x 057000 |2 bisacsh | |
| 072 | 7 | |a PER |x 000000 |2 bisacsh | |
| 072 | 7 | |a APFA |2 bicssc | |
| 082 | 0 | 4 | |a 791.4302/33092 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Grosoli, Marco, |e author. | |
| 245 | 1 | 0 | |a Eric Rohmer's film theory (1948-1953) : |b from 'école Scherer' to 'politique des auteurs' / |c Marco Grosoli. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2018] | |
| 300 | |a 1 online resource (301 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Film Theory in Media History | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a In the 1950s, a group of critics writing for 'Cahiers du Cinéma' launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Table of contents; Acknowledgments; Introduction; 1. A Novelistic Art of Space; 1.1. Sartre's ontology; 1.2. A novelistic ontology?; 1.3. Cinema: Novelistic consciousness qua actual nothingness; 1.4. An art of space; 1.5. An art of appearance for appearance's sake; 1.6. Space vs. language; 1.7. An art more novelistic than the novel itself; 2. Alexandre Astruc: An Early but Decisive Influence; 2.1. Kant's transcendental aesthetics -- and Heidegger's reinterpretation; 2.2. 'Dialectique et cinéma'; 2.3. From and beyond Sartre's Heideggerian perspective; 2.4. The 'Camera-Stylo' | |
| 505 | 8 | |a 3. Under and On the Volcano: Rohmer's Conversion3.1. The Other; 3.2. The triumph of exteriority over interiority; 3.3. Pulling phenomenology back to its Kantian roots; 3.4. Ethics; 3.5. God?; 3.6. Echoes of the conversion; 4. The Art of Nature; 4.1. To show and not to tell; 4.2. Natural beauty; 4.3. Immediate mediation; 4.4. Movement and narrative; 4.5. Mechanism as the background for freedom; 5. Ethics at the Heart of Aesthetics; 5.1. On abjection: The Wages of Fear; 5.2. Films with a soul; 5.3. Tragedy; 5.4. Solitude morale. | |
| 505 | 8 | |a 5.5. The vertiginous moment: The reversal between inside and outside6. After Modernity: Rohmer's Classicism and Universalism; 6.1. Beyond modern art; 6.2. Classic = Modern; 6.3. An anti-evolutionist approach; 6.4. Universalism; 6.5. Authorship and mise en scène; Conclusion; About the Author; Index of Names. | |
| 546 | |a Undetermined. | ||
| 506 | 0 | |a Open Access |5 EbpS | |
| 590 | |a De Gruyter Online |b De Gruyter Open Access eBooks | ||
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
| 600 | 1 | 0 | |a Rohmer, Éric, |d 1920-2010 |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Rohmer, Éric, |d 1920-2010 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Rohmer, Éric, |d 1920-2010 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJp66WjF3cWGpgCK9CWCcP |
| 650 | 0 | |a Auteur theory (Motion pictures) | |
| 650 | 6 | |a Politique des auteurs (Cinéma) | |
| 650 | 7 | |a Film theory & criticism. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Auteur theory (Motion pictures) |2 fast | |
| 650 | 7 | |a Filmtheorie |2 gnd | |
| 653 | |a Rohmer. | ||
| 653 | |a auteurs. | ||
| 653 | |a Sartre. | ||
| 653 | |a Kant. | ||
| 653 | |a criticism. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Eric Rohmer's film theory (1948-1953) (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGPFbBrCfTMmfRrdHxW4Md |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Grosoli, Marco. |t Eric Rohmer's film theory (1948-1953). |d Amsterdam : Amsterdam University Press, [2018] |z 9789462985803 |w (OCoLC)1036100963 |
| 830 | 0 | |a Film theory in media history. | |
| 856 | 4 | 0 | |u https://www.degruyter.com/openurl?genre=book&isbn=9789048537037 |z Texto completo |
| 938 | |a Amsterdam University Press |b AUPA |n 9789048537037 | ||
| 938 | |a De Gruyter |b DEGR |n 9789048537037 | ||
| 938 | |a EBSCOhost |b EBSC |n 1833771 | ||
| 938 | |a Knowledge Unlatched |b KNOW |n 74eaf504-dba3-433f-95e8-a4ab2af5b68d | ||
| 938 | |a Project MUSE |b MUSE |n muse76485 | ||
| 938 | |a OAPEN Foundation |b OPEN |n 1001514 | ||
| 938 | |a DCS UAT TEST 8 |b TEST |n 1001514 | ||
| 938 | |a YBP Library Services |b YANK |n 15564416 | ||
| 994 | |a 92 |b IZTAP | ||