Cargando…
Making and Unmaking in Early Modern English Drama : Spectators, Aesthetics and Incompletion.
Exploring the significance of visual things that are 'under construction' in works by playwrights. Illustrated with examples, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Why are early modern English dramatists preoccupied with unfinished...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Manchester :
Manchester University Press,
2014.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | DEGRUYTEROA_on1030815977 | ||
| 003 | OCoLC | ||
| 005 | 20240209213017.0 | ||
| 006 | m o d | ||
| 007 | cr un||||||||| | ||
| 008 | 180518e20140201enk ot 000 u eng d | ||
| 040 | |a OAPEN |b eng |e pn |c OAPEN |d OCLCQ |d LVT |d OCLCQ |d C6I |d SFB |d OCLCO |d OCLCF |d RRP |d UEJ |d UKKNU |d LUN |d BRF |d VT2 |d NLE |d FWR |d LIP |d IYU |d BIBBD |d MERER |d WY@ |d KYD |d ZQP |d WYU |d UKAHL |d OCLCQ |d OCLCO |d EBLCP |d OCLCQ |d DEGRU |d OCLCO |d OCLCL | ||
| 019 | |a 882920554 |a 1013760953 |a 1014407642 |a 1014451251 |a 1014476990 |a 1014480594 |a 1076652611 |a 1135558605 |a 1167497958 |a 1179559988 |a 1202542053 | ||
| 020 | |a 9781847798916 | ||
| 020 | |a 1847798918 | ||
| 020 | |a 9780719084973 | ||
| 020 | |a 0719084970 | ||
| 024 | 7 | |a 10.26530/OAPEN_469309 |2 doi | |
| 024 | 7 | |a 469309 | |
| 029 | 1 | |a AU@ |b 000066195197 | |
| 029 | 1 | |a AU@ |b 000055512677 | |
| 035 | |a (OCoLC)1030815977 |z (OCoLC)882920554 |z (OCoLC)1013760953 |z (OCoLC)1014407642 |z (OCoLC)1014451251 |z (OCoLC)1014476990 |z (OCoLC)1014480594 |z (OCoLC)1076652611 |z (OCoLC)1135558605 |z (OCoLC)1167497958 |z (OCoLC)1179559988 |z (OCoLC)1202542053 | ||
| 037 | |a OAPEN | ||
| 043 | |a e-uk-en | ||
| 050 | 4 | |a PR678.M3 |b .P678 2013 | |
| 072 | 7 | |a DSG |2 bicssc | |
| 082 | 0 | 4 | |a 822.309 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Porter, Chloe. |4 aut | |
| 245 | 1 | 0 | |a Making and Unmaking in Early Modern English Drama : |b Spectators, Aesthetics and Incompletion. |
| 260 | |a Manchester : |b Manchester University Press, |c 2014. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | |a Exploring the significance of visual things that are 'under construction' in works by playwrights. Illustrated with examples, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did 'finished' or 'incomplete' mean for spectators of plays and visual works in this period? Making and unmaking in early modern English drama is about the prevalence and significance of visual things that are 'under construction' in early modern plays. Contributing to challenges to the well-worn narrative of 'iconophobic' early modern English culture, it explores the drama as a part of a lively post-Reformation visual world. Interrogating the centrality of concepts of 'fragmentation' and 'wholeness' in critical approaches to this period, it opens up new interpretations of the place of aesthetic form in early modern culture. | ||
| 536 | |a Knowledge Unlatched |b KU Pilot |c 103425 | ||
| 546 | |a English. | ||
| 505 | 0 | |a Early modern English drama and visual culture -- 'In the keeping of Paulina': the unknowable image in The Winter's tale -- 'But begun for others to end': the ends of incompletion -- 'The brazen head lies broken': divine destruction in Friar Bacon and Friar Bungay -- Going unseen: invisibility and erasure in The Two merry milkmaids. | |
| 506 | |a This work is licensed under the following Creative Commons License: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0). | ||
| 590 | |a De Gruyter Online |b De Gruyter Open Access eBooks | ||
| 650 | 0 | |a English drama |y 17th century |x History and criticism. | |
| 650 | 0 | |a Art and literature |z England |x History |y 16th century. | |
| 650 | 6 | |a Théâtre anglais |y 17e siècle |x Histoire et critique. | |
| 650 | 6 | |a Art et littérature |z Angleterre |x Histoire |y 16e siècle. | |
| 650 | 7 | |a Literary studies: plays and playwrights. |2 bicssc | |
| 650 | 7 | |a Performing Arts. |2 bisacsh | |
| 650 | 7 | |a Art and literature |2 fast | |
| 650 | 7 | |a English drama |2 fast | |
| 651 | 7 | |a England |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C | |
| 648 | 7 | |a 1500-1699 |2 fast | |
| 653 | |a Literature | ||
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Making and unmaking in early modern English drama (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGRcfvjjxQX4bJbWYrT8RX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 773 | 0 | |t OAPEN (Open Access Publishing in European Networks). |d OAPEN | |
| 856 | 4 | 0 | |u https://www.degruyter.com/openurl?genre=book&isbn=9781847798916 |z Texto completo |
| 938 | |a De Gruyter |b DEGR |n 9781847798916 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL29429251 | ||
| 938 | |a Knowledge Unlatched |b KNOW |n bfd328b8-9ead-41fe-a733-0f3a39d038dd | ||
| 938 | |a Knowledge Unlatched |b KNOW |n 0b684ccc-e4c2-486b-923f-3199ce534c71 | ||
| 938 | |a OAPEN Foundation |b OPEN |n 649963 | ||
| 938 | |a OAPEN Foundation |b OPEN |n 469309 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH29812693 | ||
| 938 | |a BiblioBoard |b BIBD |n bfd328b8-9ead-41fe-a733-0f3a39d038dd | ||
| 994 | |a 92 |b IZTAP | ||