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Technology and Film Scholarship : Experience, Study, Theory.
This volume brings together a wide range of explorations of the ways in which technological innovations have established new and changing conditions for the experience and study of film. The book offers analyses by such leading figures in film studies as Tom Gunning and Charles Musser, who examine t...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
2017.
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| Colección: | Film theory in media history.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Contents; Acknowledgments; Foreword / André Gaudreault; Introduction: The Discursive Spaces Between a History of Film Technology and Technological Experience / Santiago Hidalgo; Section I: Experience; 1. When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / Charles Musser; 2. Exhibition Practices in Transition: Spectators, Audiences, and Projectors / Jan Olsson; 3. Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / André Habib; 4. Walter Benjaminâ#x80;#x99;s Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / Dana Cooley.
- Section II: Study5. Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / David Colangelo; 6. Film Analysis and Statistics: A Field Report / Charles Oâ#x80;#x99;Brien; 7. A â#x80;#x98;Distant Readingâ#x80;#x99; of the â#x80;#x98;Chaser Theoryâ#x80;#x99;: Local Views and the Digital Generation of New Cinema History / Paul Moore; Section III: Theory; 8. Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / Tom Gunning; 9. Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / Vinzenz Hediger.