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151027s2008 gw a o 000 0 eng d |
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|a DEGRU
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|a 1253413850
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|a 9783839408421
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|a 9783899428421
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|a 10.14361/9783839408421
|2 doi
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|z (OCoLC)1253413850
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|2 rvk
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|a UAMI
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|a Paradoxes of Interactivity :
|b Perspectives for Media Theory, Human-Computer Interaction, and Artistic Investigations /
|c edited by Uwe Seifert, Jin Hyun Kim, Anthony Moore.
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|a 1. Aufl.
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|a Bielefeld :
|b Transcript Verlag,
|c [2008]
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|c ©2008
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|a 1 online resource (344 pages) :
|b illustrations.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a text file
|b PDF
|2 rda
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|a Kultur- und Medientheorie
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|t Frontmatter --
|t Contents --
|t The Co-Evolution of Humans and Machines: A Paradox of Interactivity --
|t Does the Body Disappear? A Comment on Computer Generated Spaces /
|r Krämer, Sybille --
|t Transparency and Opacity: Interface Technology of Mediation in New Media Art /
|r Jäger, Ludwig ; Kim, Jin Hyun --
|t Where the Action is: Distributed Agency between Humans, Machines, and Programs /
|r Rammert, Werner --
|t Surface, Interface, Subface: Three Cases of Interaction and One Concept /
|r Nake, Frieder --
|t Double Cross Playing Diamonds: Understanding Interactivity in/between Bigraphs and Diamonds /
|r Kaehr, Rudolf --
|t Where Art and Science Meet (or Where They Work at Cross-Purposes /
|r H. Diebner, Hans --
|t Time, Magma, Continuity: Some Remarks on In-Formation and the Fabrication of "Poiesis" /
|r Lischka, Christoph --
|t Implications of Unfolding /
|r Rohrhuber, Julian --
|t UNORTKATASTER: An Urban Experiment Towards Participatory Media Development /
|r Trogemann, Georg ; Göllner, Stefan ; Scherffig, Lasse --
|t Modelling and Analysing Expressive Gesture in Multimodal Systems /
|r Camurri, Antonio ; Mazzarino, Barbara ; Volpe, Gualtiero --
|t Interaction Computer Dance: The Resonance Paradigm 1900/2000 /
|r Leeker, Martina --
|t Staging of the Thinking Space: From Immersion to Performative Presence /
|r Fleischmann, Monika ; Strauss, Wolfgang --
|t From Interactive Live Electronic Music to New Media Art /
|r Kim, Jin Hyun --
|t Extending the Musical Experience: From the Physical to the Digital and Back /
|r Weinberg, Gil --
|t Virtual Musical Instruments and Robot Music Performances /
|r Goto, Suguru --
|t Authors' Biographies.
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|a Current findings from anthropology, genetics, prehistory, cognitive and neuroscience indicate that human nature is grounded in a co-evolution of tool use, symbolic communication, social interaction and cultural transmission. Digital information technology has recently entered as a new tool in this co-evolution, and will probably have the strongest impact on shaping the human mind in the near future. A common effort from the humanities, the sciences, art and technology is necessary to understand this ongoing co- evolutionary process. Interactivity is a key for understanding the new relationships formed by humans with social robots as well as interactive environments and wearables underlying this process. Of special importance for understanding interactivity are human-computer and human-robot interaction, as well as media theory and New Media Art. "Paradoxes of Interactivity" brings together reflections on "interactivity" from different theoretical perspectives, the interplay of science and art, and recent technological developments for artistic applications, especially in the realm of sound.
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|a Uwe Seifert is Professor of Systematic Musicology at the University of Cologne. His current research interests include embodied cognitive science of music and New Media theory. Jin Hyun Kim is researcher at the Collaborative Research Center "Media and Cultural Communication" (SFB/FK 427) She is currently involved in the research project "Artistic Interactivity in Hybrid Networks" directed by Uwe Seifert and Anthony Moore, which is part of the SFB/FK 427 "Medien und kulturelle Kommunikation". Anthony Moore is Professor of Art and Media Sciences at the Academy of Media Arts Cologne. His research focuses on sound computing and Greek and Asian tone systems.
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546 |
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|a In English.
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588 |
0 |
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|a Online resource; title from PDF title page (publisher's Web site, viewed October 27 2015).
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|a De Gruyter Online
|b De Gruyter Open Access eBooks
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650 |
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|a Interactive multimedia.
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650 |
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|a Human-computer interaction.
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650 |
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6 |
|a Multimédias interactifs.
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7 |
|a Media studies.
|2 bicssc
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|a Interactive multimedia
|2 fast
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|a Human-computer interaction
|2 fast
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|a Mensch-Maschine-Kommunikation
|2 gnd
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|a Mensch-Maschine-Schnittstelle
|2 gnd
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|a Mensch-Maschine-System
|2 gnd
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653 |
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|a New Media Art
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|a Interactivity
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|a Human-Computer Interaction
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|a Media Theory
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|a Music
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|a Media
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|a Technology
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|a Human
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|a Digital Media
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|a Media Art
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|a Media Philosophy
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653 |
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|a Media Studies
|
700 |
1 |
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|a Kim, Jin Hyun
|c (Musicologist),
|e editor.
|1 https://id.oclc.org/worldcat/entity/E39PCjxFkCbcyhVtqGKKRfG6Xd
|
700 |
1 |
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|a Moore, Anthony,
|d 1948-
|e editor.
|1 https://id.oclc.org/worldcat/entity/E39PBJc3DBvJRbXVF6JDfF3CwC
|
700 |
1 |
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|a Seifert, Uwe,
|d 1960-
|e editor.
|
758 |
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|i has work:
|a Paradoxes of interactivity (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGdpH7HbCmr6RxVQBJjtJC
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
830 |
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|a Kultur- und Medientheorie.
|
856 |
4 |
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|u https://www.degruyter.com/openurl?genre=book&isbn=9783839408421
|z Texto completo
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938 |
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|a Askews and Holts Library Services
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|n AH35692634
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|a YBP Library Services
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|a De Gruyter
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