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Subjectivity : filmic representation and the spectator's experience.
Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into f...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
[Place of publication not identified]
Amsterdam University Press
2011.
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| Colección: | Key debates ;
2. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Frontmatter
- Contents
- Editorial
- Acknowledgments
- Introduction: Rethinking Subjectivity in Film
- Part I From Mind to Film, from Film to Mind
- The Cinema as Art of the Mind: Hugo Münsterberg, First Theorist of Subjectivity in Film
- The Representation of Experience in Cinema
- Beyond Subjectivity: The Film Experience
- Part II Ways of Expressing Subjectivity
- The Man Who Wasn't There: The Production of Subjectivity in Delmer Daves' Dark Passage
- From Aesthetic Experience to the Loss of Identity, in Three Steps
- Robert Bresson and the Voices of an Inner World: "I" Can Never Be "You," or the Impossible Identification
- The Silence of the Lenses: Blow Up and the Subject of Photography
- Part III Subjectivity and the Epistemology of Film Studies
- Beyond Subjectivity. Bakhtin's Dialogism and the Moving Image
- Imaginary Subject
- A Philosophical Approach to Subjectivity in Film Form
- Part IV Conversation Subjectivity in Artistic Coupling
- Conversation with Maria Klonaris and Katerina Thomadaki
- Notes
- General Bibliography
- Notes on Contributors
- Index of Names
- Index of Film Titles
- Index of Subjects