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Nonhuman voices in Anglo-Saxon literature and material culture /
"Anglo-Saxon 'things' could talk. Nonhuman voices leap out from the Exeter Book Riddles, telling us how they were made or how they behave. The Franks Casket is a box of bone that alludes to its former fate as a whale that swam aground onto the shingle, and the Ruthwell monument is a s...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Manchester :
Manchester University Press,
2017.
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| Colección: | Manchester Medieval Literature and Culture (Manchester, England).
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Paz, James, |e author. | |
| 245 | 1 | 0 | |a Nonhuman voices in Anglo-Saxon literature and material culture / |c James Paz. |
| 264 | 1 | |a Manchester : |b Manchester University Press, |c 2017. | |
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| 520 | |a "Anglo-Saxon 'things' could talk. Nonhuman voices leap out from the Exeter Book Riddles, telling us how they were made or how they behave. The Franks Casket is a box of bone that alludes to its former fate as a whale that swam aground onto the shingle, and the Ruthwell monument is a stone column that speaks as if it were living wood, or a wounded body. In this book, James Paz uncovers the voice and agency that these nonhuman things have across Anglo-Saxon literature and material culture. He makes a new contribution to 'thing theory' and rethinks conventional divisions between animate human subjects and inanimate nonhuman objects in the early Middle Ages. Anglo-Saxon writers and craftsmen describe artefacts and animals through riddling forms or enigmatic language, balancing an attempt to speak and listen to things with an understanding that these nonhumans often elude, defy and withdraw from us. But the active role that things have in the early medieval world is also linked to the Germanic origins of the word, where a þing is a kind of assembly, with the ability to draw together other elements, creating assemblages in which human and nonhuman forces combine. Nonhuman voices in Anglo-Saxon literature and material culture invites us to rethink the concept of voice as a quality that is not simply imposed upon nonhumans but which inheres in their ways of existing and being in the world. It asks us to rethink the concept of agency as arising from within groupings of diverse elements, rather than always emerging from human actors alone." | ||
| 505 | 0 | |a Acknowledgments -- Introduction: On Anglo- Saxon things -- 1. Æschere’s head, Grendel’s mother and the swordthat isn’t a sword: Unreadable things in Beowulf -- 2. The ‘thingness’ of time in the Old English riddles ofthe Exeter Book and Aldhelm’s Latin enigmata -- 3. The riddles of the Franks Casket: Enigmas, agencyand assemblage -- 4. Assembling and reshaping Christianity in the Livesof St Cuthbert and Lindisfarne Gospels -- 5. The Dream of the Rood and the Ruthwellmonument: Fragility, brokenness and failure -- Afterword: Old things with new things to say -- Bibliography -- Index. | |
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English. | ||
| 590 | |a De Gruyter Online |b De Gruyter Open Access eBooks | ||
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| 650 | 0 | |a Civilization, Anglo-Saxon. | |
| 650 | 0 | |a Material culture |z Great Britain |x History |y To 1500. | |
| 650 | 6 | |a Littérature anglaise |y ca 450-1100 (Vieil anglais) |x Histoire et critique. | |
| 650 | 6 | |a Civilisation anglo-saxonne. | |
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| 653 | |a beowulf. | ||
| 653 | |a material culture. | ||
| 653 | |a franks casket. | ||
| 653 | |a anglo-saxon. | ||
| 653 | |a middle ages. | ||
| 653 | |a exeter book. | ||
| 653 | |a aldhelm. | ||
| 653 | |a st cuthbert. | ||
| 653 | |a thing theory. | ||
| 653 | |a dream of the rood. | ||
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| 830 | 0 | |a Manchester Medieval Literature and Culture (Manchester, England). | |
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