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Affektpoetiken des New Hollywood : Suspense, Paranoia und Melancholie /
"How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes - su...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Alemán |
| Publicado: |
Berlin ; Boston :
De Gruyter,
2016.
|
| Colección: | Cinepoetics ;
Band 2 |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Lehmann, Hauke, |d 1981- |e author. | |
| 245 | 1 | 0 | |a Affektpoetiken des New Hollywood : |b Suspense, Paranoia und Melancholie / |c Hauke Lehmann. |
| 263 | |a 1610 | ||
| 264 | 1 | |a Berlin ; |a Boston : |b De Gruyter, |c 2016. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 490 | 0 | |a Cinepoetics ; |v Band 2 | |
| 520 | |a "How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes - suspense, paranoia, and melancholy - which draw the spectators to reflect in unique ways about contradictions in their own feelings."-- |c Provided by publisher. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 505 | 0 | |a Inhalt ; Danksagung ; 1 Die Aufspaltung des Zuschauers ; 1.1 Einleitung ; Eine Geschichte des Fühlens ; Ein Riss im Fühlen ; Der Schock der Freiheit ; 1.2 Filmische Expressivität ; Emotion in der Filmtheorie ; Filmische Bewegung und der Zuschauer ; Das Ganze und die Dauer. | |
| 505 | 8 | |a Ausdruck und Erfahrung Filmische Bewegung und Emotion ; 1.3 Zur Affektpoetik des New Hollywood ; Der Begriff des New Hollywood ; Der inkohärente Text ; Das Neue am New Hollywood ; Schock und Freiheit: Modi von Affektivität ; 2 Suspense: Formen filmischen Denkens. | |
| 505 | 8 | |a 2.1 Theoretische Herleitung Forschungsstand zum Suspense ; Das Paradox des Suspense ; Etymologie und erste Schlussfolgerungen ; Suspense und filmische Bewegung ; Suspendieren: Aufschieben ; 2.2 Analyse ; Carrie ; Die Prom Night-Sequenz ; Die Fahrt ; Rhythmus und Perspektive. | |
| 505 | 8 | |a Krönung und Demütigung Aufschaukeln ; Die Zeit der Imagination ; Gesicht und Fratze ; 2.3 Schlussfolgerungen und historischer Ausblick ; Telekinese und Emotion: Schock und Suspense ; Suspense im New Hollywood: Subversion der Genres ; 3 Paranoia: Formen der Mediatisierung. | |
| 505 | 8 | |a 3.1 Ideengeschichtlicher Kontext und theoretische Herleitung Schwierigkeiten der Definition ; Paranoider Stil und intellektuelle Gefühle ; Paranoia und postklassisches Kino ; 3.2 Analyse ; The Parallax View ; Die Eingangssequenz ; Die Bodenlosigkeit der Geschichte. | |
| 546 | |a In German. | ||
| 506 | 0 | |a Open Access |5 EbpS | |
| 590 | |a De Gruyter Online |b De Gruyter Open Access eBooks | ||
| 650 | 0 | |a Motion picture audiences |x Psychology. | |
| 650 | 0 | |a Motion pictures |x Psychological aspects. | |
| 650 | 0 | |a Motion pictures |z United States |x History |y 20th century. | |
| 650 | 6 | |a Cinéma |x Publics |x Psychologie. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |x Aspect psychologique. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion picture audiences |x Psychology |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Psychological aspects |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 650 | 7 | |a Melancholie |g Motiv |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 650 | 7 | |a Rezeption |2 gnd | |
| 650 | 7 | |a Zuschauer |2 gnd | |
| 650 | 7 | |a Spannung |2 gnd | |
| 650 | 7 | |a Gefühl |2 gnd | |
| 650 | 7 | |a Ästhetik |2 gnd | |
| 650 | 7 | |a Paranoia |g Motiv |2 gnd | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 653 | |a Film history/ in the USA. | ||
| 653 | |a affect. | ||
| 653 | |a temporality. | ||
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Affektpoetiken des New Hollywood (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFMTfcxq83xPFM9jGXmY4C |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Lehmann, Hauke, 1981- |t Affektpoetiken des New Hollywood. |d Berlin ; Boston : De Gruyter, 2016 |z 9783110480115 |w (DLC) 2016041592 |
| 856 | 4 | 0 | |u https://www.degruyter.com/openurl?genre=book&isbn=9783110488739 |z Texto completo |
| 938 | |a De Gruyter |b DEGR |n 9783110488739 | ||
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| 938 | |a EBSCOhost |b EBSC |n 2944610 | ||
| 994 | |a 92 |b IZTAP | ||