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160428s2012 gw ob 000 0 eng d |
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|a UAB
|b eng
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|d OCLCO
|d OCLCF
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|a 9783110942507
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|a 311094250X
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|a 10.1515/9783110942507
|2 doi
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|a (OCoLC)948656515
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|a PA4407.Q6 Q56 2007
|b Q56 2007
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|a HIS002000
|2 bisacsh
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|a FH 72353
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|a UAMI
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|a Quintus Smyrnaeus: Transforming Homer in Second Sophistic Epic /
|c Manuel Baumbach, Silvio Bär.
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|a Berlin ;
|a Boston :
|b De Gruyter,
|c [2012]
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|c ©2007
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|a 1 online resource (507 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Millennium-Studien / Millennium Studies ;
|v 17
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|a In English.
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|a Online resource; title from PDF title page (publisher's Web site, viewed Mar. 30, 2016).
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|t Frontmatter --
|t Table of contents --
|t Acknowledgements --
|t An Introduction to Quintus Smyrnaeus' Posthomerica --
|t CHAPTER I. The Epic Art of the Posthomerica: Poetics and Narrative Structure --
|t Quintus Smyrnaeus und die Tradition des epischen Musenanrufs --
|t The Use of Analepses and Prolepses in Quintus Smyrnaeus' Posthomerica --
|t Light and Darkness in Quintus Smyrnaeus' Posthomerica 2 --
|t Die Poetik der Schilde: Form und Funktion von Ekphraseis in den Posthomerica des Quintus Smyrnaeus --
|t CHAPTER II. Quintus and his (Homeric) Models: Imitation and Innovation --
|t Quintus of Smyrna and Virgil -- A Matter of Prejudice --
|t Ripresa della tradizione e innovazione compositiva: la medicina nei Posthomerica di Quinto Smirneo --
|t Vorbild und aemulatio: An der Kreuzung von intertextuellen Bezügen in den Totenklagen dreier Frauen in Quintus Smyrnaeus' Posthomerica: Briseis, Tekmessa und Oinone --
|t CHAPTER III. Cosmology, Ethics, and Heroism --
|t Zur Rolle der Personifikationen des Schicksals in den Posthomerica des Quintus Smyrnaeus --
|t Final Scenes in Quintus of Smyrna, Posthomerica 14 --
|t Returning to the Mountain of Arete: Reading Ecphrasis, Constructing Ethics in Quintus Smyrnaeus' Posthomerica --
|t Fish in Battle? Quintus of Smyrna and the Halieutica of Oppian --
|t More "Parfit Gentil Knyght" than "Hyrcanian Beast": The Reception of Neoptolemos in Quintus Smyrnaeus' Posthomerica --
|t CHAPTER IV. Quintus, the Second Sophistic and the Imperial Period --
|t From the Epics to the Second Sophistic, from Hecuba to Aethra, and finally from Troy to Athens: Defining the Position of Quintus Smyrnaeus in his Posthomerica --
|t Res Romanae: Cultural Politics in Quintus Smyrnaeus' Posthomerica and Nonnus' Dionysiaca --
|t Nonnus, Quintus and the Sack of Troy --
|t Wege und Formen, Umwege und Umformungen: Quintus Smyrnaeus und die Rezeption der Trojasage in Kaiserzeit und Spätantike --
|t Abstracts --
|t List of contributors --
|t Bibliography --
|t Indices.
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|a Die „Ereignisse nach Homer", die Quintus Smyrnaeus im 3. Jh. n.Chr. in seinem griechischen Epos Posthomerica beschreibt, sind ein Versuch, die Lücke zwischen Ilias und Odyssee zu schließen und die bis dahin verstreut überlieferten Berichte über den Kampf um Troja erzählerisch zu vereinen: das Schicksal von Achill, Ajax, Paris und der Amazone Penthesilea, das Eingreifen des Neoptolemos und die Geschichte vom trojanischen Pferd bis zur Zerstörung der Stadt. Der vorliegende Band fasst die Ergebnisse der ersten internationalen Tagung zu Quintus Smyrnaeus zusammen.
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|a De Gruyter Online
|b De Gruyter Open Access eBooks
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|a Epic poetry, Greek
|x History and criticism
|v Congresses.
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|a Trojan War
|x Literature and the war
|v Congresses.
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|a Poésie épique grecque
|x Histoire et critique
|v Congrès.
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650 |
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|a HISTORY / Ancient / General.
|2 bisacsh
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650 |
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|a Epic poetry, Greek.
|2 fast
|0 (OCoLC)fst00913902
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647 |
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|a Trojan War.
|2 fast
|0 (OCoLC)fst01157294
|1 https://id.oclc.org/worldcat/entity/E39Qhp4vBbr3PRpcRCgCVqdG4y
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|a Conference papers and proceedings.
|2 fast
|0 (OCoLC)fst01423772
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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1 |
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|a Bär, Silvio.
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|a Baumbach, Manuel.
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|a Dümmler, Nicola.
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|a Millennium-Studien / Millennium Studies ;
|v 17.
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4 |
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|u https://www.degruyter.com/openurl?genre=book&isbn=9783110942507
|z Texto completo
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|a De Gruyter
|b DEGR
|n 9783110942507
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|a 92
|b IZTAP
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