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Farocki/Godard : film as theory /
"This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Vo...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Alemán |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2015]
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| Colección: | Film culture in transition.
Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; v. 25. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover
- Contents
- Preface to the English Edition
- Introduction
- Two Image Researchers
- 1. Le film qui pense
- Image, Theory, Practice
- Film as a "Concrete Medium"
- Film Theories / Film as Theory
- Difference and Theory
- Montage and Cinematic Thinking
- 2. The Camera as Brush-Film and Painting
- Narrating with Images: Breathless
- Exploding the Museum: Pierrot le fou
- Arranging Things: Still Life
- Processing Images: Passion
- 3. Deviation as Norm-Notes on the Essay Film
- 4. Cut-Interlude in the Editing Room
- What an Editing Room is: InterfaceMontage, toujours: JLG/JLG
- 5. Taking pictures-Photography and Film
- Displacing: The Carabineers
- Rendering: Before Your Eyes Vietnam
- Surveying: Images of the World and the Inscription of War
- 6. Two or Three Ways of Speaking with the Hands
- Asking Oneself: La Chinoise / Vent d'est
- Offering Oneself: Nouvelle vague
- Expressing Oneself: Georg K. Glaser / The Expression of Hands
- Conclusion
- Bibliography
- Acknowledgments
- Illustration Credits
- Index of Film Titles
- Index of Names