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Mathematics and Computation in Music Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings /
This book constitutes the refereed proceedings of the Third International Conference on Mathematics and Computation in Music, MCM 2011, held in Paris, France, in June 2011. The 24 revised full papers presented and the 12 short papers were carefully reviewed and selected from 62 submissions. The MCM...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor Corporativo: | |
| Otros Autores: | , , , , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berlin, Heidelberg :
Springer Berlin Heidelberg : Imprint: Springer,
2011.
|
| Edición: | 1st ed. 2011. |
| Colección: | Lecture Notes in Artificial Intelligence,
6726 |
| Temas: | |
| Acceso en línea: | Texto Completo |
MARC
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| 245 | 1 | 0 | |a Mathematics and Computation in Music |h [electronic resource] : |b Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings / |c edited by Carlos Agon, Emmanuel Amiot, Moreno Andreatta, Gerard Assayag, Jean Bresson, John Manderau. |
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| 490 | 1 | |a Lecture Notes in Artificial Intelligence, |x 2945-9141 ; |v 6726 | |
| 520 | |a This book constitutes the refereed proceedings of the Third International Conference on Mathematics and Computation in Music, MCM 2011, held in Paris, France, in June 2011. The 24 revised full papers presented and the 12 short papers were carefully reviewed and selected from 62 submissions. The MCM conference is the flagship conference of the Society for Mathematics and Computation in Music. This year's conference aimed to provide a multi-disciplinary platform dedicated to the communication and exchange of ideas amongst researchers involved in mathematics, computer science, music theory, composition, musicology, or other related disciplines. Areas covered were formalization and geometrical representation of musical structures and processes; mathematical models for music improvisation and gestures theory; set-theoretical and transformational approaches; computational analysis and cognitive musicology as well as more general discussions on history, philosophy and epistemology of music and mathematics. | ||
| 650 | 0 | |a Digital humanities. | |
| 650 | 0 | |a Music. | |
| 650 | 0 | |a Algebra. | |
| 650 | 0 | |a Computer science-Mathematics. | |
| 650 | 0 | |a Discrete mathematics. | |
| 650 | 0 | |a Artificial intelligence-Data processing. | |
| 650 | 1 | 4 | |a Digital Humanities. |
| 650 | 2 | 4 | |a Music. |
| 650 | 2 | 4 | |a Algebra. |
| 650 | 2 | 4 | |a Discrete Mathematics in Computer Science. |
| 650 | 2 | 4 | |a Data Science. |
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| 700 | 1 | |a Amiot, Emmanuel. |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
| 700 | 1 | |a Andreatta, Moreno. |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
| 700 | 1 | |a Assayag, Gerard. |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
| 700 | 1 | |a Bresson, Jean. |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
| 700 | 1 | |a Manderau, John. |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
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| 830 | 0 | |a Lecture Notes in Artificial Intelligence, |x 2945-9141 ; |v 6726 | |
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