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Psychology and Philosophy of Abstract Art Neuro-aesthetics, Perception and Comprehension /
This book examines how we perceive and understand abstract art in contrast to artworks that represent reality. Philosophical, psychological and neuroscience research, including the work of philosopher Paul Crowther, are considered and out of these approaches a complex model is developed to account f...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Autor Corporativo: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Palgrave Macmillan UK : Imprint: Palgrave Pivot,
2016.
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| Edición: | 1st ed. 2016. |
| Temas: | |
| Acceso en línea: | Texto Completo |
MARC
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| 100 | 1 | |a Hackett, Paul M.W. |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Psychology and Philosophy of Abstract Art |h [electronic resource] : |b Neuro-aesthetics, Perception and Comprehension / |c by Paul M.W. Hackett. |
| 250 | |a 1st ed. 2016. | ||
| 264 | 1 | |a London : |b Palgrave Macmillan UK : |b Imprint: Palgrave Pivot, |c 2016. | |
| 300 | |a XXIII, 140 p. 12 illus. |b online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 505 | 0 | |a Preface -- Chapter 1. Defining Two-Dimensional Abstract Art -- Chapter 2. Theorising Perception -- Chapter 3. Expanding Theoretical Complexity -- Chapter 4. Perceptual Content, Process and Categorial Ontologies -- Chapter 5. Mapping Sentence and Partial Order Mereology for Perceiving Abstract Art. | |
| 520 | |a This book examines how we perceive and understand abstract art in contrast to artworks that represent reality. Philosophical, psychological and neuroscience research, including the work of philosopher Paul Crowther, are considered and out of these approaches a complex model is developed to account for this experience. The understanding embodied in this model is rooted in facet theory, mapping sentences and partially ordered analyses, which together provide a comprehensive understanding of the perceptual experience of abstract art. | ||
| 650 | 0 | |a Cognitive psychology. | |
| 650 | 0 | |a Arts. | |
| 650 | 0 | |a Philosophy. | |
| 650 | 0 | |a Aesthetics. | |
| 650 | 1 | 4 | |a Cognitive Psychology. |
| 650 | 2 | 4 | |a Arts. |
| 650 | 2 | 4 | |a Philosophy. |
| 650 | 2 | 4 | |a Aesthetics. |
| 650 | 2 | 4 | |a Fine Art. |
| 710 | 2 | |a SpringerLink (Online service) | |
| 773 | 0 | |t Springer Nature eBook | |
| 776 | 0 | 8 | |i Printed edition: |z 9781137483317 |
| 776 | 0 | 8 | |i Printed edition: |z 9781349694563 |
| 776 | 0 | 8 | |i Printed edition: |z 9781349694556 |
| 856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1057/978-1-137-48332-4 |z Texto Completo |
| 912 | |a ZDB-2-BSP | ||
| 912 | |a ZDB-2-SXBP | ||
| 950 | |a Behavioral Science and Psychology (SpringerNature-41168) | ||
| 950 | |a Behavioral Science and Psychology (R0) (SpringerNature-43718) | ||